Posts

Showing posts from January 19, 2020

The Overstory by Richard Powers

Image
The structure of this book is inventive. The roots are the stories of characters that feed into the trunk of the narrative where their lives touch and flow or surge together towards the crown from where seed is dispersed. Characters become entwined through tree-related episodes, incidents or lives lived in the presence or under the influence of trees; lives ravel and unravel to the soughing of wind through trees and the clang of an axe, screech of a saw. Trees are not just background but fundamental in one way or the other to the human lives they sustain and the book’s characters, whether conscious or unconscious of this, become who they are, metaphorically or symbolically or actually, in part at least, thorough the power or absence, or even agency, of trees. The lives of the people depicted are overlaid by trees, both their daily and their intellectual lives; their planet’s history and science owes a debt to them, would be impossible without them. They themsel

Clifi (Climate Fiction)

I first met Dan Bloom 'across the universe,' as he says, a couple of weeks ago when he commented on my tweet, @ElizaMood, referring to my novel, 'O Man of Clay,' as 'clifi.' I had been having difficulties finding a genre for the novel that felt quite comfortable and was toying with the notion of clifi, a relatively new term to me. I didn't think I had written a dystopia as the thrust of my book was a search to find some way out of something that was only part way there. I had wondered about eco-fiction but wasn't sure whether I would be making too grandiose a claim. And yet, while the novel refers to climate science and there is a perfectly good genre already out there—science fiction—I felt that there was an awkwardness of fit; something about the messiness of now that my characters are enmeshed in, their not having stepped out of our present dilemmas, their closeness to the present day that didn't quite sit comfortably there.

Paul Cockburn's Review of 'O Man of Clay'

It is great receiving a review, especially for a new author—and this one is in some depth and thoughtful. (From Waterstones website) Thanks Paul. Paul Cockburn Review

Dan Bloom and cli-fi (climate fiction)

Dan Bloom is doing a very good thing for cli-fi and the underlying motivation of it, whether an author quite begins with that motivation or it emerges from the writing process. Thanks for your questions Dan: https:// northwardho.blogspot.com/2020/01/eliza- moods-writing-process-blog-tour.html There is much good stuff on blogspot above.