The thoughtful Dan Bloom believes that fiction can do stuff in the world and needs to shake hands with science. The future for cli-fi: interview with Dan Bloom
Dan has a blogspot for writers and readers of cli-fi fiction and was good enough to do an interview of yours truly: https://northwardho.blogspot.com/…/meet-cli-fi-novelist-eli…Dan Bloom interviews Eliza Mood
This is my interview with Dan:
DAN:
Your cli-fi novel ‘O Man of Clay’ is set in
Hartlepool, UK. For those not familiar with your region of the UK, where is
hartlepool and why is your novel set there?
ELIZA:
Hartlepool and the North bank of the Tees
caught my imagination when, as a young teacher, I lived nearby. The old city of
Hartlepool, on the East coast of Northern England and on the estuary of the
river Tees began as an Anglo-Saxon monastery and later became a mediaeval walled
city. Nearby, iron and coalmines fed the British Empire but its traditional
industries - fishing, steel and magnesium processing - are, for the most part,
gone.
When the tide draws back around the Headland,
it sometimes, exposes fossilised trees: a prehistoric forest. Fossilised bones
of animals, skulls and human artefacts have been trawled there. Mesolithic people
were here long before the city: hunters. These signs of earlier human lives
fascinate me – and the Tees water spirit, Peg Powler.
But, what we call Doggerland, the once
forested land between Britain and the continent became inundated as the ice
started to melt 8,500 years ago. And, if we do nothing the melt will accelerate
as it has been doing over twenty years and the sea will rise further. In the
novel I imagine the houses and buildings at the edges of the city part submerged.
DAN
Cli-fi as a genre
has the potential to effect change if we can move ourselves and readers - in
both senses. The power of oral storytelling and narrative is important to the
main characters of ‘O Man of Clay' who realise our human story needs
changing. In your opinion, why does our human story need changing and in
what ways?
ELIZA
We manufacture and move on, abandoning sites
and people, leaving scars in the landscape and disease, trauma and loss in
communities and people. Some scientists propose that the current geological
period, the Holocene, has ended. Instead we are in the anthropocene, the age in
which a stratum will be composed predominantly of materials deposited by human
beings, materials such as radioactive elements, soot from power stations and
plastics – even chicken bones. We can change this and we must; the remnants of
the nuclear industry will be potentially
harmful for thousands of years.
Perhaps we can carry on the
story-telling and realize how to try out different endings/new beginnings; it’s
about getting enough little things happening to make the powerful do the big
things.
DAN
What
is the meaning of the title of your novel? What is it a reference to?
ELIZA
Many cultures have a creation myth involving a half-man/ half-God figure
sculpting humans of earth material such as wood, bone or clay: in Greek
mythology, Prometheus moulded men of earth and water; in the Sumerian myth
Enkil uses clay and blood. There are similar hindu, Yoruba ad Maori myths. I
conceived my novel as a kind of re-creation myth, only this time the creators
and animators are female. And they reshape their story by re-telling
it.
The title is also a supplication, a vocative address
to the human species to think who we are and where we have come from: animal,
spirit and consciousness and the product of thousands of generations before.
DAN
Who is your main
target audience of readers? In the UK,? what age group?
ELIZA
‘O Man of Clay’ is a literary-speculative novel for which the main
target is adult readers, though I would hope to reach older teenage readers,
too (seventeen onwards): those who want to stay near home or travel and wrestle
a bit with ideas. The main characters are seventeen and sixty-seven and the points
of view cover this range. The book is certainly not aimed at the UK only; one
of the pleasures of reading is to discover somewhere new. We are all in this
together; I hope males can read female characters, young read old, and vice
versa in both cases. Many of us retain the desire to play with ideas as we age;
the book is for those who want to peer into possible futures.
DAN
Are you an optimist
or a pessimist re climate change issues locally where you live and worldwide?
ELIZA
The sense of coming close to a tipping point is unavoidable. I
try to hold both perspectives together; perhaps psychologically this is the
only way for me. I do think it is possible to draw back from the brink but the
changes will have to be radical: at governmental and community and individual
levels. Young people are active – but this will only spread if people have got
a social investment in it; if it’s part of what we do to live in the community;
if it’s expected of us; if it becomes natural and routine to think this way; if
it isn’t exclusive. There is no moral high ground; we have to help each other.
If we do so redemption is possible, I think.
When,
around 2007, the Arctic sea ice began partially melting in the summer,
continental shelves became the object of a colonial land grab and I asked
myself how did we come to believe that this is acceptable? How can we delude
ourselves this way? To stop plundering the fossil fuels we need to value
ourselves as respected and responsible and we need not to have been forced into
labour in a mine or an oil well under the sea. We need scientific method and to
be inclusive of traditional knowledge. We need the arts and sciences to collaborate:
to value ourselves; not to be afraid to examine our own beliefs and perceptions
and our history of living in the environment.
DAN
What's your favorite
clifi novel that you've read and recommend?
ELIZA
Barbara Kingsolver's Flight
Behaviour is a wonderful book: warm and humorous, yet simultaneously serious
and thoughtful, it is about how we come to terms with a terrifying unknown
future of changing climate and nature off kilter - by working together, talking,
taking practical steps, by small actions, by setting about trying to see and
understand so that we can do what might be needed. This is a tale of a moment
of epiphany and its gradual aftermath; one minute the main character is looking
for a way out of the humdrum and the next, she gets more than she bargained
for. Having been making ends meet on the lower slopes of an Applachian
mountainside, a momentous experience leads her to examine her old life and see
her children and relationships in a different light. At a juncture in life when
she was frustrated and yet open to something new, she finds the change she
wanted and needed lie in a deeper understanding of her own surroundings. Her
moment of awakening is, of course, the one we may desire, need and fear, the
one that will allow us to see ourselves as we really are - as part of nature -
and, at a time when the way we live and use the planet is pushing nature out of
joint, show us other possible ways of being.
I would also
like to recommend, ‘The Chernobyl Privileges’ by Alex Lockwood, my fellow
County Durham writer.
All nuclear reactors emit carbon 14, a
radioactive isotope, invalidating the industry’s claim that reactors are carbon
free. And the fuel that reactors burn is carbon-intensive.
‘The Chernobyl Privileges’ is a novel
about bonds: those of blood and those that bind particles in the nucleus of an
atom – and about the forces that break each apart. It is narrated from the
point of view of Anthony, both in the current narrative time and during his
childhood and shows how incidents in his adult life force him to face what
happened in the past. It deals sensitively with that instinct for
self-preservation that causes distance to open up between people. The moments
when Anthony could have drawn closer to those he loves yet fails to do so
multiply, and the reader is right there looking across the widening gulf and
weighing up each choice and decision with him. The reasons that prevent people
from choosing to alleviate their own suffering are thrown into stark relief, and
we see how, at a time of crisis, political forces can seek to exploit human
vulnerabilities for their own ends.
Alex is a superb craftsman,
holding back the increasingly inevitable; when they come, acts both small and
life-changing strike the reader with a terribly poignancy. A compelling read,
this is a novel for the present moment with intimations of how little, it
seems, we have learned. www.alexlockwood.co.uk
DAN
What are your PR and
book promotion plans locally and nationwide,? Radio interviews? Tv? Newspapers?
Websites? Blogs? Have you seen my blog tour platform?
ELIZA
My novel ‘O Man of Clay’ is my debut for 2020. I’m starting local in
County Durham and Northumberland in Northern England but by September, I’ll be
National when i’ll be at Fantasycon in London on the 25th-27th
September with Stairwell Books, my publisher. My website, www.elizamoodnovelist.org has some press and radio interview with more
coming up.
I’ve looked but I am not sure what a blog-tour platform is.
Thank you very much for interviewing me Dan and for your interesting
questions.
Eliza Mood
End of questions
In an England hundred and fifty years hence, government and
democracy hardly exist and Corporations have taken control by offering apparent
freedom after the deposing of the Junta. The miles high sky-scraping blocks are
run as self-contained and all-encompassing microcosms for the benefit of the
companies that own them. Conformity is demanded and maintained with the threat of the world of warlords
and chaotic subsistence-level living outside. 
